Susanne Stähr (b. 1964, Bad Homburg) studied German studies and musicology. She is spokeswoman and dramaturge at the Hamburg State Opera, the Munich Biennale and the Salzburg Festival. Since 2007, she is dramaturge LUCERNE FESTIVAL.
Artwork selection
The Vision of the Sermon, 1888
Madeleine Bernard, verso: The White River, 1888
The Gate, 1889
Bonjour Monsieur Gauguin (II), 1889
Christ in the Garden of Olives, 1889
Jug in Form of a Head, Self-Portrait, 1889
Nude Breton Boy, 1889
Yellow Christ, 1889
Self-Portrait with Yellow Christ, 1890
Vahine no te tiare (Woman with a Flower), 1891
Te faaturuma (The Brooding Woman), 1891
Te raau rahi (The Large Tree (I)), 1891
Ta matete (The Market), 1892
Nafea faaipoipo (When Will You Marry?), 1892
Parau api (What’s New?), 1892
Aha oe feii? (What! Are You Jealous?), 1892
Vairaumati te ioa (Her Name is Vairumati), 1892
The Afternoon of a Faun, 1892
Aita tamari vahine Judith te parari (The Child-Woman Judith Is Not Yet Breached), 1893
Head of a Savage, 1893
Nave nave moe (Sacred Spring; Sweet Dreams), 1894
Portrait of a Young Woman (Vaïte Goupil), 1896
Nave nave mahana (Delightful Day), 1896
Scene from Tahitian Life, 1896
Polynesian Woman with Children, 1901
Idyll in Tahiti, 1901
Primitive Tales, 1902
Woman with a Fan, 1902
Bathers, 1902
The Incantation, 1902
Self-Portrait, 1903
Rupe rupe (The Fruit Harvest), 1899
Madeleine Bernard, verso: The White River, 1888
The Vision of the Sermon, 1888
The Willow Trees, 1889
The Green Christ, 1889
The Black Pigs, 1891
Matamua (In Olden Times), 1892
Pape moe (Mysterious Waters; Mysterious Source), 1893
Oviri, 1894
Where Do We Come From? What Are We? Where Are We Going?, 1898
Riders on the Beach (II), 1902
Thérèse, 1902
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